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2014-15 Texas Flute All-State Music Announced

Check the TMEA website for official listings, errata, and performance guide.

 

Book: Flute Etudes Book by Mary Karen Clardy, published by Misc Corp. or Schott

 

Selection 1

Pages: 2-3

Key: C Major

Etude Title: Courante

Tempo: Quarter Note = 100-132

Play from Beginning to End (no repeats)

 

Errata:

M. 44 – the 6th note should be a high F (not a G)

Change the articulation of m. 35 to match the articulation of m. 37 and 39 (the second beat should be slurred in groups of 2)

All slurs indicate with dashed lines (e.g. m. 4) should be slurred as usual.

 

Piccolo: Play low Cs one octave higher (8va) than printed. (m. 8 & m. 72)

 

Selection 2

Page: 58

Key: Bb Minor

Etude Title: Op. 107/28

Tempo: Dotted eighth note 50-72

Play from Beginning to End

 

Errata:

Clarifications: All slurs that end with a staccato note under a slur should be slurred into and released as a short note.

Play the last notes of all slurs this way, with or without the staccato release.

 

m. 2 – 14th note should be B-flat

m. 2 – last note should be a sixteenth note

m. 4 – 11th note is A-flat (the accidental does not carry across the octave)

m. 6 – 21st note should be G-flat

m. 8 – 17th note should be C-natural

m. 12 – The third slur of this measure should begin one note earlier (on high E-flat) and continue to A-flat as written

m. 16 – The last note is B-flat

m. 16 – Add a sixteenth rest after the last note

 

Piccolo: play as written

 

 

Selection 3

Page: 36

Key: C# Minor

Etude Title: Op. 107/23

Tempo: Quarter note 38-46

Play from beginning to end

 

Errata:

m. 9 – omit the dots from the eighth notes in beats 2 and 3. (The resulting rhythm will be an eighth note and four 32nd notes, NOT a dotted eighth not and four 64ths)

m. 11 – the second to last note should be  C-sharp

 

Piccolo:

m. 3 and m. 12 – play the low C#s one octave higher (8va)

m. 15 – play the last 4 notes (G, F#, D, C#) one octave higher (8va)

m. 16 – play the 1st note (B#) one octave higher (8va)

m. 23, beat 3 – play the 1st 3 (D#, E, C#) notes one octave higher (8va)

m. 25 – play the last 12 notes (starting on the B-natural on the 2nd half of beat 2) one octave higher (8va)

m. 26 – play the C# one octave higher (8va)

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Texas Summer Flute Symposium 2014

Here’s some info on the upcoming Texas Flute Symposium. Looks like an amazing lineup, as always.

For more information, contact Dr. Julee Kim Walker, director of TSFS, at Julee.Walker@tamuc.edu or 903-886-5328 or visit TSFS webpage.

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2013 Texas Flute All-State Audition Music YouTube Videos

Thanks again to Ms. Rachel Lopez, amazing flutist and teacher for sharing her recordings of this year’s Texas Flute All-State music on YouTube. She is amazing! Check them out. Best of luck preparing for auditions!

Etude 1 in G Major, Sigfrid Karg-Elert, Op. 107/12

Etude 2 in G Minor, Theobold Boehm, Op. 26/6

Etude 3 in Gb Major, Joachim Andersen, Op. 21/13

Upcoming Flute Concert – Sir James and Lady Jeanne Galway

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To purchase tickets, click here.

Upcoming High School All-Region Masterclasses

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7 Tips to Surviving the All-Region Audition

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The feeling of crickets hopping around in the pit of your stomach. Secretly wanting to throw your flute out. Wishing you’d miss the bus to the audition so you don’t have to play for the judges.

Sounds like the All-Region auditions are closing in on you.

Everyone goes through those nervous moments. The key to surviving and conquering them: preparation. Check out these seven tips to crush those annoying crickets. And maybe in the process, you might end up with a chair in the coveted All-Region Band.

  1. Practice Today: Not tomorrow. Not next week. Not when you win the lottery (wouldn’t that be awesome?). It’s always today. Procrastination never works.
  2. Routine Works: Set a practice schedule and stick to it. If possible, practice during the same time of day. Find a quiet room, free of distractions like Facebook, texting and TV. Use the Musician’s Practice Journal app for iPad and iPhone to help you log your time and activities. And don’t forget to use a metronome.
  3. Technique, Technique, Technique: Play your scales and arpeggios everyday. This will give you confidence and enhance your technique. The etudes are made up of tons of scales and arpeggios.
  4. Tackle the Tough Stuff: Mark the hardest measures, then practice them everyday, at least 5-10 times each. If there’s a crazy hard run, do the same thing. You can even break your etudes into manageable chunks to practice more efficiently. Check out Three Secrets to Efficient Practicing for more tips.
  5. Relax: Sometimes we’re our own worst enemy. Don’t demand perfection – allow yourself the freedom to make mistakes and keep going. If you start dwelling on the bad stuff during the audition, you’ll wind up making more mistakes.
  6. Give Yourself Time: Get a good night of rest. On the audition day, eat a healthy breakfast. Drink water plenty of water. Dress comfortably. And get there early to have ample warm-up time.
  7. Enjoy the Music: Find the beauty in the notes. Try to express the music on the page. Isn’t that what makes the flute so amazing?

“Failing to prepare is like preparing to fail.” ~ Sir James Galway

For more reading:

Upcoming High School All-Region Clinic

 

TFS Texas 4A & 5A All-Region Clinic

with Dr. Mark Trimble

10:00 AM – 12:00 Noon
Wylie High School
Band Hall
2550 W FM 544
Wylie, Texas 75098
Admission: Free
~ Masterclass Format ~